A handful of the principles for interpreting art

There are many different ways you can interpret art of every kind, as this short article will show.

When many people look at art, they take the context into consideration, this way of interpreting art is called contextualism. There are so many situations in which men and women make art that adds to its appreciate or total relevance. For example, there are folks who draw when they are blind, and this will undoubtably make the art more impressive. There is art in the Al-Thani Collection that is of fantastic relevance as a result of its context, not simply as a result of the actual painting or sculpture itself. There are so many famous meaningful paintings that are more important because of their context instead of the physical properties of the painting.

An integral thing to think of when examining a piece of art, is where it fits into the historical landscape of its era. For example, if a painting is one that was a catalyst for a whole creative movement it is of course more vital. Whilst there are plenty of reasons to admire a painting, if it's the first of that kind of art, it increases its gravitas and relevance in the art world. Collections like the Saatchi collection will contain different good examples of ground-breaking art, so the gallery is somewhere you may want to look into if you really want to view several types of art.

There are many different means of reading into the work of an artist, and one of the simpler means is formalism. Formalism is a way of painting interpretation whereby the solely thing there is to a piece of art is just its physical attributes. This interpretation entails the dismissing of any deeper meaning behind the painting, so it takes the piece purely on face or tangible value. There is still room for emotional engagement in this type of interpretation, as if the tangible qualities of painting can make you feel a certain way, that is still a legitimate reaction as it is the painting itself, rather than any transcendental attributes that is stimulating the response. Men and women are frequently sceptical of formalism as it doesn't include the historical past of a painting, so for example if you were to take one of the historical art from the Wildenstein Collection, you could not analyse it with respect to its historical meaning. Another problem individuals have is that paintings then cannot be analysed with respect to the life of an artist; there is nothing included to a painting even if it was drawn during a certain time in the artist’s life, all that can be taken from the image is what is displayed on the canvas. This means of interpretation does not detract from the importance of art, it merely concentrates on the physical nature of the work, so it dismisses everything that is not perceptible.

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